A small proportion of critics sometimes made attempts to “reconcile” Wyeth with the “main wave” of modernism. From time to time, disputes arose about the fact that in his works there was an abstract component that had a reference to the style of Klein, de Kooning and Pollock, which Wyeth himself spoke very contemptuously of.
How to photograph pictures.
In truth, his early watercolors of the 30s and 40s, written in a free manner, were indeed not without some abstractness. Despite the opinion of detractors, Wyeth’s style has changed and transformed over the years of his career, which contradicts both those who accused him of moving “along the beaten track” and those who set him as an example of “continuity and constancy in the conditions of instability and uncertainty of modern life. ” Continue reading