How to photograph pictures
I’ll make a reservation right away: high-quality photographs that can be sold must be done using professional equipment. Shooting pictures on smartphones is not recommended. Owners of film and digital…

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The art of the mentally ill
In 1945, the French artist Jean Dubuuffe coined the term “art-brut”, which means “rough”, “hard” art. Quite often, the authors of art brut's works were mentally ill people, “holy fools”,…

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Rubleff brush
A company new to the Russian market under the original name Rubleff (formerly Eureka) was founded in 1988. From the first day, its range included specialized products for those who…

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Andrew World Part 3: “Christina’s World.”

The painting “Christina’s World” became the quintessential success and glory of Andrew Wyeth, and turned into a real American “icon”, along with “American Gothic” by Wood, Whistler’s “Portrait of Mother” and “Washington Crosses Delaware” by Emmanuel Loyce. Wyeth himself considered this work a “complete failure”, sending it to the Manhattan Gallery Macbeth in 1948. The Museum of Modern Art acquired the canvas for $ 1800.
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Christine Olson, completely paralyzed below her waist, Wyeth first saw him literally dragging himself across a field in Maine – “like a crab along the shores of New England Continue reading

The secrets of drawing a portrait from a photograph

Creativity is influenced not only by the inspiring world around, but also by the tools and technologies inherent in a given time.
Photography is a tool that in the shortest possible time from the moment of invention took the most important place in the art of painting, and had a great influence on it. This is especially true of portrait painters.

When drawing from a photo, it is not necessary to force the model to pose for hours, and in addition, the camera allows you to capture a fleeting facial expression and the position of the strands, which cannot be maintained for a long time by a living model. Continue reading

The “dead layer” of Flemish painting

Studying the technique of some old masters, we are faced with the so-called “Flemish method” of oil painting. This is a multi-layered, technically complex way of writing, the opposite of the “a la prima” technique. Layering suggested a special depth of image, flicker and radiance of colors. However, in the description of this method, such a mysterious stage as the “dead layer” invariably occurs. Despite the intriguing name, there is no mysticism in it.

But what was it used for?
The term “dead colors” (doodverf – nid. Death of paint) is first found in the work of Karl van Mander’s “Book of Artists”. He could call it a paint, on the one hand, literally, because of the stillness that it gives to the image, on the other hand, it is metaphorical, since this pallor seems to “die” under the subsequent color. Continue reading

The influence of color on the perception of the picture. Part 2.
Everyone knows the Black Square, but there are few who see in this work something individual and inimitable. But this is a whole hymn to how color can affect a…

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Workplace of the artist
For the artist, it’s not only the muse that is important, but ordinary everyday (workers) so that the conditions of visual perception do not hamper the artist’s imagination, the room…

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African traditional art
The new year has passed, and winter does not end. Are you tired? Then let's get to the hottest continent - to Africa, and plunge a little into its history.…

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8 important principles of oil painting
Oil paints are responsive and versatile. But mastering is not as difficult as it might seem at first. The correct use of the color and texture of the oil allows…

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